Phil Dirt - Reverb Central - PO Box 1609, Felton, CA 95018-1609 USA Collection: The History Of Rock Instrumentals Volume 1
|This is volume one of a two volume series from Rhino, issued in 1987. It compiles many of the significant chart instros of the late fifties and early sixties. The liner notes are solid. A couple of surf tunes dot the roster.|
Picks: Wipe Out, Let There Be Drums, Let's Go (Pony), Out Of Limits, Hawaii Five-0, The Lonely Surfer, Sleep Walk, Walk, Don't Run, Bongo Rock, Hot Pastrami, The Happy Organ, Nut Rocker, Red River Rock, Teen Beat
Track by Track Review
TV Surf (Instrumental)
"Wipe Out" is simply the definitive drummer's badge of courage. If he can do a decent "Wipe Out," he's hired. Simple, and written and recorded in just minutes, this is an international classic that has sold multimillions of copies, and still does every year worldwide.
"Let There Be Drums" was the first track released after Sandy Nelson lost his foot. It is an infectious thing with a rolling rhythm and great drums. The formula was a cross between "Wipe Out" and "Rebel Rouser." Nelson's drums are solid, and Richie Podolor's guitar work is excellent too.
Cheerleader Rock (Instrumental)
Like many other hits of the day, beginning with Tommy Facenda's "High School USA," through the Beach Boys' "Be True To Your School," this was a cheer leader's dream, a ready made routine for mindless group think chants and clique spirit rallies. "Let's Go (Pony)" uses a simple riff, and an infectious pre-"We Will Rock You" anthemic chant.
This is the hit. It sports the great guitar work of Tommy Tedesco. It's infectious little riff was heard everywhere in the hey day of surf. It's quite a rock standard. This track blends surf with Joe Saraceno's orchestral thinking, guitars, French horns, and bells. Unlike almost all of the Marketts' tracks, this features the lead guitar as the lead instrument, and approximates real surf music. It is a studio session, with Tommy Tedesco on lead, but it rips right nicely. A classic surf hit.
TV Surf (Instrumental)
Often covered TV theme song from the chameleons of instro rock from the 1968 TV series.
MOR Surf (Instrumental)
"The Lonely Surfer" is an enigma, hardly legit surf band fare, yet definitely a genre classic. It only charted at 39 on Billboard, but it is among the more recognizable and sophisticated surf standards. It's haunting moody and dramatic. The French horns are surreal, giving it a major pompous feel that somehow transcends the dismissibility of other similar works, like the "Surfers Stomp" Marketts sessions. Amazing.
Lap Steel Pre Surf (Instrumental)
It doesn't get much more definitive than this. Sinewy slow dance classic, beautiful melody, covered endlessly and never as well. Simply a stunning song. Originally released in 1959, this is one of the great instro singles of the distant past, which featured, for the first time, the lap steel in a lead role (outside of country and Hawaiian). This slithery slowdance romancer was/is the prelude to a whole lotta whoopee. It is so very beautiful. Totally sweet guitar sounds.
Pre Surf (Instrumental)
This is essential. The Ventures were one of the two bands that served as the model for early surf bands, the other being the Fireballs. This was their first single, and is an absolute standard. It was based on the early fifties Chet Atkins arrangement. This is their signature tune, a solid and enduring cover of Johnny Smith's jazz classic. Rhythmic, solid as a rock, and very warm with pre-surf whammy. Only the Pink Fairies' vocal version is better than this. Great classic pre surf.
"Walk, Don't Run" and "Perfidia" were recorded a year before there was such a thing as surf music. Totally vintage and majorly important to the birth of surf, this Ventures single is still their hallmark and best effort. Every collection requires this track.
Pre Surf (Instrumental)
This is a marvelous and fun classic rock 'n' roll single. The rhythm is totally infectious, and the simple melody line sticks in your memory cells despite any attempt to clear your head. This has almost nothing to do with surf music, though it was a staple among some of the bands. It predates the genre, and has no reverb at all. It is important for a couple of reasons. It was the first rock instro featuring the bongo drum as a central instrument, and it was the structure of this song that was one basis for the Surfaris' "Wipe Out."
The disco organ grind with the lame utterances of "Hot Pastrami."
Churning organ runs, calliope sensibilities, and pure joy. This disc broke the organ out of it's paradigm as a jazz-soul instrument and brought it squarely into rock 'n' roll. This is an utterly infectious wailin' organ instro that just can't be held down. Pumpin' screamin', and drivin' hard on the wind. If there's a single instro that embodies the rock and roll spirit, "The Happy Organ" is it. The production makes the organ sound very loud. Still hot after all these years.
Piano Rock (Instrumental)
"Nut Rocker" is on the "Nutcracker Suite," this rocks mightily in the Jerry Lee Lewis pumping piano vein, with incredible energy and a totally infectious sound.
Sax & Organ Rock (Instrumental)
The first of what would become their formula, public domain standards ominously rocked out with organ dominated evil sax instrumentals with great Dave Yorko guitar breaks. "Red River Rock" never sounded so cool! It was instro covers of public domain standards that originally influenced Paul Johnson, who used "Little Brown Jug" among others in the Belairs sets (and on disc).
Sandy Nelson's first single, from 1959, set the stage for many rock drum records to follow. Only Cozy Cole's "Topsy Part II" had charted before, and it was a big band monster. This is a simple drum pattern, guitar and bass thing that was both innocent and infectious in its day.